Luke Maxted is writing a DPhil at Balliol College, Oxford, entitled ‘Negative Constructions in the Long Nineteenth Century’. His thesis investigates poetic uses of compounds formed with the prefixes ‘un-’, ‘in-’ and ‘dis-’, and with the suffix ‘-less’. It argues that Byron’s satirical negatives, of the late-1810s onward, were the starting points in the anti-Romantic revolt against the abstract and the epiphanic, and it shows that, despite the libertinism of ‘Beppo’ and ‘Don Juan’, those works led to the reactionary poetry of T.E. Hulme and Yvor Winters. Luke’s journalism has appeared in the Times Literary Supplement and the Literary Review, and his academic writing in The Nabokovian, Philip Roth Studies (his essay was the winner of the Siegel McDaniel Award), The Thomas Hardy Journal and Notes and Queries. He holds an MA and an MSt (1900-Present), both from Oxford.

Lydia Shaw is a PhD student at Durham University working on the eco-poetics of landscapes and seascapes in Byron and Shelley, and exploring both poets often transform nature into revealing mindscapes that speak to the contemporary environmental crisis. Such an approach also provides a means to re-examine the relationship (imaginative and actual) between these two significant second-generational Romantic poets. Lydia completed her MA in Romantic and Victorian Literary Studies also at Durham University.

Kaiwen Hou is currently a PhD student in English Literature at the University of Edinburgh, and later he will start in the second year at Durham University to continue his study. Kaiwen’s project is exploring how Byron’s notorious celebrity was entangled with his religious writings. In the matrix of Romantic celebrity culture, the poet’s representations of ‘blasphemy’ contributed to his celebrity as a rebellious figure, and helped to appeal for ideological liberation which highlights a human-centred pride against all kinds of tyrannies. Before his doctorate study, Kaiwen completed his MA in Eighteenth-Century Studies at King’s College London, and learnt English Language and Literature at Central South University.

Edwina Watson is a DPhil candidate in English Literature at the University of Oxford, where she is a Rausing Scholar at Linacre College. Her research is exploring how Byron conceived of the purposes of poetry and the poetic vocation, with a particular focus on questions of poetic form, allusion, and influence. Before beginning her doctorate, she completed an MPhil in Romantic and Eighteenth-Century Literature at the University of Cambridge, and studied Law and English at the University of Melbourne. Her research is also supported by the Rae and Edith Bennett Travelling Scholarship from the University of Melbourne.

Francesco Marchionni is a PhD student in English Literature at Durham University. His doctoral project ‘Promethean Forms of Grief in the Work of Byron, Shelley and Leopardi’ recasts Lord Byron, P.B Shelley and Giacomo Leopardi’s interpretation of the Promethean figure as poetic trope through which these writers re-imagine the conflicts of Romantic identity. Such a conflicted identity stems from the Romantic anxieties embodied in meditations about grief, death and posterity central to the opuses of Byron, Shelley and Leopardi.  Francesco has also been awarded a Stephen Copley Research Award (2019) to carry out archival research in Weimar on Nietzsche’s reading and engagement with the work of Byron, Shelley and Leopardi.

Lee Livingstone is a PhD candidate in English Literature at Queen’s University Belfast. His project, ‘Lord Byron and Women’s Writing’, studies the relationships between Byron and several women writers. Negotiating current conceptualisations of influence and intertextuality, the project recognises the overall impact of women’s writing on Byron’s own poetic development, and through specific case studies shows the importance of several female authors across Byron’s career. Lee has participated at national and international conferences, and academic workshops, most recently presenting at the 44th International Byron Conference in Ravenna, Italy. He is also the recipient of the Miss Margaret Cuthbert Frazer Research Bursary (2018) for his research in women’s writing, and the Sir Thomas Dixon Travel Scholarship (2019) for undertaking archival research at the Newberry Library, Chicago.

Flora Lisica is studying for a PhD in English at the University of Cambridge. Her project is tracing the way that Byron and some of his contemporaries engaged with tragedy; the way that tragedy was being seen, read and conceptualised, and how this manifests in the dramatic and non-dramatic texts of the period. Prior to starting her doctorate, Flora studied for an MA in History of Art at The Courtauld Institute, and read English with Philosophy at the New College of the Humanities.