The Byron Society invites applications for a PhD bursary of £3,000 for 2021-2022.

Applications are open to new and existing full-time PhD students enrolled at a UK university and working on a thesis addressing any aspect of the life, work and /or influence of the poet Lord Byron. Applications are also welcomed from those studying multiple poets or authors, including Byron.

Each bursary covers just one year, however multiple applications can be made and postgraduates whose research focuses solely on Byron can receive up to three annual bursaries. (Those who study Byron alongside other poets and authors can only be awarded one bursary).

Applications can be made by students with additional sources of funding, but please list these in your application. The applications should also include a summary of the applicant’s academic record, an outline of his / her proposed research and the names of two referees who may be contacted. Please also state what year of study you are in.

Please download and fill out the below form, and notify your chosen referee that we will be in touch to request a reference. Applications should be sent by email to Dr Emily Paterson-Morgan, Director of the Byron Society, at 

The application process for 2021/2022 will open at the end of 2020, and closes on the 31st of May 2021

However please get in touch if you have any questions. 

2020/2021 PhD Bursary award recipient: Edwina Watson

Edwina Watson is a DPhil candidate in English Literature at the University of Oxford, where she is a Rausing Scholar at Linacre College. Her research is exploring how Byron conceived of the purposes of poetry and the poetic vocation, with a particular focus on questions of poetic form, allusion, and influence. Before beginning her doctorate, she completed an MPhil in Romantic and Eighteenth-Century Literature at the University of Cambridge, and studied Law and English at the University of Melbourne. Her research is also supported by the Rae and Edith Bennett Travelling Scholarship from the University of Melbourne.

2020/2021 Runner up: Francesco Marchionni

Francesco Marchionni is a PhD student in English Literature at Durham University. His doctoral project ‘Promethean Forms of Grief in the Work of Byron, Shelley and Leopardi’ recasts Lord Byron, P.B Shelley and Giacomo Leopardi’s interpretation of the Promethean figure as poetic trope through which these writers re-imagine the conflicts of Romantic identity. Such a conflicted identity stems from the Romantic anxieties embodied in meditations about grief, death and posterity central to the opuses of Byron, Shelley and Leopardi.  Francesco has also been awarded a Stephen Copley Research Award (2019) to carry out archival research in Weimar on Nietzsche’s reading and engagement with the work of Byron, Shelley and Leopardi.

2019/2020 PhD Bursary award recipient: Lee Livingstone

Lee Livingstone is a PhD candidate in English Literature at Queen’s University Belfast. His project, ‘Lord Byron and Women’s Writing’, studies the relationships between Byron and several women writers. Negotiating current conceptualisations of influence and intertextuality, the project recognises the overall impact of women’s writing on Byron’s own poetic development, and through specific case studies shows the importance of several female authors across Byron’s career. Lee has participated at national and international conferences, and academic workshops, most recently presenting at the 44th International Byron Conference in Ravenna, Italy. He is also the recipient of the Miss Margaret Cuthbert Frazer Research Bursary (2018) for his research in women’s writing, and the Sir Thomas Dixon Travel Scholarship (2019) for undertaking archival research at the Newberry Library, Chicago.

2018/2019 PhD Bursary award recipient: Flora Liscia

Flora Lisica is studying for a PhD in English at the University of Cambridge. Her project is tracing the way that Byron and some of his contemporaries engaged with tragedy; the way that tragedy was being seen, read and conceptualised, and how this manifests in the dramatic and non-dramatic texts of the period. Prior to starting her doctorate, Flora studied for an MA in History of Art at The Courtauld Institute, and read English with Philosophy at the New College of the Humanities.


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